Using Helios Grade3 min read
Metro Portrait II: a free DaVinci Resolve PowerGrade for F-Log
Download Metro Portrait II, a free F-Log PowerGrade for DaVinci Resolve, with a before/after and the original 4K DPX practice frame.
Motion-graphics titles for DaVinci Resolve
A panel beside the Edit page that turns a template and your own words into an animated title, built for the exact length of the clip it lands on. Pick, type, set the accent, apply. You never open the Fusion page and you never set a keyframe.
Templates are data and the animation is shared between all of them, which is why the library is a library rather than one design in fifty colours — and why a title lays out correctly on a vertical reel, a feed crop and a widescreen cut without a second version of it.
Kinetic hooks that arrive a word at a time, dialled from calm to loud with one control rather than forty.
Caption styles built on the subtitle track you already have, sized to stay clear of the platform's own buttons.
Park the playhead over a title and the panel loads what you used, so changing a word is not rebuilding a composition.
Perpetual licence
Explore the complete panel free
No account and no time limit. Browse every template, preview it and edit every control; a licence is needed only when you apply a title to the timeline.
You'll get a ZIP containing the panel folder to copy into DaVinci Resolve's Workflow Integration Plugins folder — how to install it.
Activate on up to 3 computers with a perpetual licence. The panel, template library and every editing control are already in the free download above.
One payment. Yours for good.
Price includes 18% GST.
International cards accepted. The price is in Indian Rupees — your card or bank converts it if you're paying from outside India.
You'll be asked to accept the terms and refund policy before paying.
Need help installing or activating? Read the Textmation help page.
Textmation builds kinetic titles, captions and lower thirds on the Edit page — inside the platform's safe area, at a speed the words can be read, and editable again afterwards.
Textmation opens as a panel beside the Edit page. Pick a template, type what it should say, choose a font and an accent, decide how hard it should land, and apply. An animated title arrives at the playhead as a Fusion composition, built for the exact length of the clip it landed as.
You never open the Fusion page. You never set a keyframe. If you want to, everything it writes is an ordinary composition you can open and take apart.
A template says a headline sits low in the frame, splits into words, enters with a spring and leans on one of them. It does not carry its own copy of what a spring is, how words are measured, or where the safe area sits at four by five. That lives in one place and every template shares it.
Which is why the library is a library rather than one design in fifty colours. Every template has its own layers, its own animation and its own reason to exist, and a test refuses two that are the same design once the palette and the font are taken away.
Nothing in a template is measured in pixels. Positions and sizes are fractions of the frame, so the same title lays out correctly on a vertical reel, a four-by-five feed crop and a sixteen-by-nine cut without a second version of it.
The safe area is the platform's, not the frame's: the top bar, the caption block, the rail of buttons down the right of a vertical video. Text is fitted inside that, and when it will not fit the panel says so before you apply rather than after you deliver.
A title that animates beautifully and leaves before it can be read is a failure, and it fails invisibly to whoever made it, because they already know what it says. Textmation works out how long the words need, compares it with the clip, and tells you which way to fix it.
The same check reports the things you cannot see: that the font the template was drawn in is not the font on this computer, that the design was never composed for this aspect ratio, that the text reaches under the platform's own buttons.
Park the playhead over a title you applied and the panel recognises it, loads the settings you used, and offers to update it. Change a word, change the accent, apply again. Trim the clip and it rebuilds for the new length.
The version it replaced stays on the clip for one step, so there is an Undo that puts back exactly what was there — not a computed reversal, the thing itself.
Titles go where the playhead is. DaVinci Resolve does not tell a plugin which clips you have selected on the Edit page — the only clip it will name is the one under the playhead. So that is what Textmation targets, and the panel shows the timecode and the clip name at all times so it is never a surprise.
A title fills the clip it lands as. There is no way for a plugin to set a clip's length, so the animation is built for the length Resolve gives it, and the panel recommends a length rather than imposing one. Trim the clip and the title rebuilds to fit.
DaVinci Resolve Studio 20.2.1 or newer, on macOS or Windows. Workflow Integration panels are a Studio feature and do not exist in the free edition.
Everything works on your own machine. Browsing the library, previewing a template and changing any control need no licence at all; putting a title on your timeline is what a seat buys.
Each tutorial builds the effect from Resolve's own tools first, so you can judge what the plugin is actually saving you.
Using Helios Grade3 min read
Download Metro Portrait II, a free F-Log PowerGrade for DaVinci Resolve, with a before/after and the original 4K DPX practice frame.
Using Helios Grade4 min read
A free DaVinci Resolve PowerGrade for S-Log3 portraits — before/after, install steps, and the mask view for every module.
Using Helios Grade4 min read
A free DaVinci Resolve PowerGrade for warm backlit portraits — before/after, the settings, and the mask view for every module.
We need a small number of cookies to keep you signed in and to protect the checkout. Everything else — measurement and advertising — stays switched off unless you turn it on. Read the cookie policy.